An installation featuring a film work retelling of Ibsen’s classic play. The very last exhibition at the Wapping Hydraulic Power Station, our former home.

An immersive installation featuring a series of large format pinhole images created in response to W.G. Sebald's novel 'Austerlitz'.

An immersive 16-screen video installation presenting a record of the process of creating transient sculptural interventions in the desert landscapes of Libya and Namibia.

Billy Cowie transformed the experience of lying in a hospital bed into a sensual pleasure. With the aid of 3D glasses, he took the audience through the rusty roof of the Wapping Hydraulic Power Station into the centre of his meditative and lyrical choreography.

SeaWomen presented a new body of work by Mikhail Karikis focusing on a community of female sea workers living on the North Pacific island of Jeju – a jagged patch of black volcanic rock between South Korea, Japan and China.

A film installation Moving Walls by renowned Polish filmmaker, artist, writer and poet Lech Majewski.

An exhibition of a series of photographs, exploring the collapse of the US housing market, which formed part of Edgar Martins's assignment for The New York Times Magazine.

A series of 10 weekly changing solo exhibition, each featuring a single-screen work by five women artists: Suki Chan, Elina Brotherus, Inger Lise Hansen, Marta Michalowska and Emily Richardson.

An installation featuring an oversized silk wedding dress with bamboo crinoline (A/W 1998) by the iconic Japanese designer Yohji Yamamoto. By popular demand, this was the longest running exhibition ever staged by The Wapping Project.

Programme celebrating the first decade of The Wapping Project through dance

An installation celebrating two decades of design by Antwerp-based Paul Boudens, commissioned by The Wapping Projector for the London Design Festival.

An exhibition featuring another in a series of photography / directing collaborations between Thomas Zanon-Larcher and Jules Wright

THINGS TO CHILL, DISTURB, DELIGHT AND DESIRE: objects & sculptures by Mark Woods; libretto by Deborah Levy; music by Billy Cowie; installation by Shed54

The Wapping Project commissioned novelist and playwright Deborah Levy and composer Billy Cowie to respond to Dean Rogers's photographs, together creating a layered study of mortality.

For almost a month, Blueprint magazine, Tracey Neuls shoe designer, Ally Capellino bag designer and Van der Meersch & Weston vintage industrial furniture specialists worked from the Boiler House at the Wapping Hydraulic Power Station.

A playful and evocative exploration of the complex cultural and culinary significance of the Eel in Japan and the UK

32 previously unseen photographs by the acclaimed French fashion photographer Guy Bourdin (1928-1991)

The second exhibition in collaboration with the Fashion Museum (MoMu, Antwerp) and the Fashion Department,The Royal Academy of Fine Arts Antwerp, featuring students' project DRESS.

An exhibition exploring the social and cultural phenomenon of the English Season, including a series of new commissions in sculpture, photography, dance, literature and music

An exhibition featuring MiddleSea, a single screen film installation a series of light boxes.

Exhibition: 22 July – 31 August 2008. Sam Spenser's first solo exhibition after graduation from the Fine Art degree at Goldsmiths, University of London, featuring a series of sculptural works combining scrap and precious metals

Exhibition: 15 June – 13 July 2008.

The first of two exhibitions in collaboration with the Fashion Museum (MoMu, Antwerp) and the Fashion Department,The Royal Academy of Fine Arts Antwerp, featuring students' project SKIRT.

An exhibition of a series of narrative images based on a contemporary interpretation of Ibsen’s 'The Doll’s House, set against backstage fashion images from London, Paris and New York

The first exhibition of the iconic American fashion photographer’s work in London with the highly charged photographs that have kept Turbeville at the forefront of her field.

Angus Boulton's first solo exhibition in the UK, featuring three films examining the legacy of Soviet abandoned military installations in the countries of the former Eastern Bloc

The first solo exhibition of Norwegian artist Elisabeth Mathiesen, featuring a retrospective of her film works

An exhibition featuring commissioned pieces by 29 shoemakers, milliners, tailors and fashion designers in a breathtaking installation which evoked childhood memories of dressing up, carousels, see-saws and nightmares. The exhibition was accompanied by especially commissioned filmed tales of designers, tailors, shoemakers, milliners and pattern cutters.

An exhibition featuring two bodies of photographic work by father and son.

A video installation inspired by two mountain observatories – Ben Nevis in Scotland and Haldde in the Norwegian Arctic – and two scientists – CTR Wilson and Kristian Birkeland – who were stationed there in the 19th century.

A solo exhibition of a new body of large-scale narrative photography commissioned in response to the Wapping Hydraulic Power Station. Childhood memories, loss of innocence, contradictions, assumed drama, exposure of vulnerability, past events, fictions, and a half-knowledge of what we are seeing.

A full-length dance performance based on Grimm Brothers fairytales conceived for and performed within Wapping Hydraulic Power Station for four weeks in the autumn of 2004.

An exhibition exploring the banal and the extraordinary on the A13, as seen through the eyes of Iain Sinclair, Jock McFadyen, Helena Ben-Zenou, Sean Rogg, Chris Petit and Antony Gormley.

An exhibition of a 3-channel video installation portraying nude swimmers in Finnish nature.

A season of exhibitions and performances featuring new commissions in choreography, installation, photography and film centred around a humble piece of furniture – a chair.

A process-based sculpture created within the Wapping Hydraulic Power Station from a crushed Cessna plane

An exhibition of Graham Gussin's two-screen video piece Remote Viewer, filmed in Askja, a place in Iceland known as the ‘lunar desert'.

An exhibition of works by Magnum photographers – Thomas Heopker, Josef Koudelka, Steve McCurry, Susan Meiselas, Gilles Peress, Larry Towell, Alex Webb, Peter Marlow and Luc Delahaye – reflecting on the appearance and character of New York City before, during, and after the events of 11 September 2001.

A exhibition featuring an interactive installation about light and its impact on the body.

An exhibition of Elina Brotherus's first video installation under the same title alongside a series of works in photography. Elina was shortlisted for the Citigroup Private Bank Photography Prize 2002 for this exhibition.

An exhibition of Keith Haring's series of large paintings

Eight early career choreographers were commissioned to create a ten-minute long pieces to be performed on an external staircase of the Wapping Hydraulic Power Station and viewed from inside the Turbine House through doors and windows.

An exhibition of a series of photographs taken in Birmingham boxing clubs in 1994 and 1995

A site-specific installation commissioned in response to Wapping Hydraulic Power Station, London, to coincide with the opening of the restored post-industrial building as an art space in October 2020.

An installation using ceramics commissioned in response to the Wapping Hydraulic Power Station in 1997, exhibited in 2000.

A residency and a body of works created within the then derelict Wapping Hydraulic Power Station, commissioned by WPT.

32-tonne block of ice and a hunk of rock salt. One of the most striking pieces by Anya Gallaccio, commissioned for the then still derelict Wapping Hydraulic Power Station. A gamble and an experiment as no one knew how long the ice would take to melt.

A song cycle commissioned by WPT in 1996 and performed at the Queen Elizabeth Hall, Southbank Centre, in 1997. It featured 20 new works by 6 composers and 4 poets, performed by all female cast, choreographed by Kristina Page, in a set designed by Anya Gallaccio.

A iconic production performed in the disused S-Shed in the Royal Victoria Dock in the winter of 1994.

A site-specific performance for the Wapping Hydraulic Power Station, commissioned by WPT, featuring unemployed, young performers.

Blood Wedding was one of WPT's most expensive productions. A new opera composed by Nicola LeFanu, with libretto by Deborah Levy based on Federico García Lorca's play, directed by Jules Wright, and performed at Jacob Street Studios, London SE1.