after Sebald’s Austerlitz
Kommunale Galerie Berlin
Preview Sunday 1 September, noon
Exhibition continues until 27 October
The Wapping Project in partnership with Kommunale Galerie Berlin and PhotoWerkBerlin restages its 2013 commission by German artist Karen Stuke responding to W.G. Sebald’s masterpiece Austerlitz (2001). The novel is one of literature’s most haunting meditation on time, loss and retrieval. It tells the story of Jacques Austerlitz, an architectural historian who, aged 5, was sent to England on a Kindertransport and placed with foster parents in Wales. As he rediscovers his past, Austerlitz embarks on a journey through time and space, from mid-20thcentury mitte-Europa to contemporary England.
Stuke, an accomplished photographer in the use of the pinhole camera, followed this journey, cross-referencing information from the book with maps and records. At the crossroad between fact and fiction, she found when they existed, the places of Austerlitz’s story: the Prague gymnasium from which his mother was deported to the Theresienstadt concentration camp, the railway journey followed by the Kindertransport, his house in Mile End…
The resulting photographs, all taken with her handcrafted pinhole camera, are the work of light, time and memory. Elusive images created by aggregated traces of light, they evoke fuzzy memories, and justly lend themselves to both, the layers and recesses of Austerlitz’ mind, and Sebald’s narrative.
In the installation, designed by Josh Wright and Thomas Zanon-Larcher, large format prints of the pinhole images are set to a music score by Billy Cowie, written in response to them in 2013.
This body of work by Karen Stuke, originally entitled Stuke – After Sebald’s Austerlitz, was commissioned by The Wapping Project with funding from the Women’s Playhouse Trust. It was first exhibited in Wapping, London, from 12 October to 10 November 2013.
The exhibition is presented under the patronage of the British Ambassador to Berlin Sir Sebastian Wood.
Karen Stuke (b. 1970) completed her studies in Photo and Film Design at the Bielefeld University of Applied Sciences. She took her first theatre photograph in the 1990s. Animated by the desire to capture the spirit of the play and its unfolding in time and space, she used a pin-hole camera and decided to expose a whole performance in a single photograph. Since then, Stuke has earnt an international reputation as an expert on the pin-hole camera, and collaborated with some of the most prestigious directors and theatres including Gottfried Pilz at the Vienna State Opera, Oper Leipzig, Deutsche Oper Berlin, Oper der Stadt Köln, Opéra Comique Paris and the Los Angeles Opera. She founded her own project space called Kronenboden in Berlin, where she focuses primarily on the intersections between visual and performing arts.